The instrumental perfectly cycles through his outsized emotions: It starts off with a melodramatic piano section, moving into a high-energy middle that matches his mood switch from gloom to anger, and then returns to where he began, absolutely drained. “I lost half of my friends, I’ll be lying if I tell you I won’t really hurt though/But I knew since a kid the game I was hopping in was really cutthroat,” he raps, with pain and urgency in his voice.
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“Heartburn,” a dark, somber, and frustrated reflection on loss and trauma, is a full return to that tone.
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BandGang Lonnie Bands probably remembers those times, since he’s been a prominent figure in Detroit since the mid-2010s. For the series playlist for some people who want to make it personal rather than a sub branding (that being only user only videos and not others) can you make a series playlist option more personal, like i wanna listen to the albums i just got from creating the playlists accurately fro the setup i got and now i wanna sort them out. But in previous eras, the scene was better known for raps rooted in reality. Much of the Michigan rap that has broken through recently has leaned into the scene’s punchline-based humor. But “Who I Smoke” and “When I See U” are merely shameless grasps for attention. Two years ago, when Xanman and Lil Dude put a tough-talking spin on Bow Wow’s attempt at being romantic on “Let Me Hold You,” part of the comedy was: Who would even think of that? And OT Genasis’ 2019 remix of Keyshia Cole’s “Love” was funny because you could just tell he spent years singing that song into the shower before he finally decided to put his own spin on it. And the guys behind “Who I Smoke” don’t even seem to realize that the “A Thousand Miles” joke has been done so many times-from White Chicks to Cam’ron’s remix-that it’s not particularly jaw-dropping anymore. There are names of dead friends dropped and threats sent, which is not uncommon if you’re familiar with street rap diss songs, but the glossy package they’re delivered through is unsettling to say the least. “Who I Smoke” and “When I See U” aren’t just ultra-violent, but ruthless attacks at each other as well. It takes advantage of a churning social media landscape that will boost anything that’s either nostalgic or over-the-top, and these songs are both. This current trend feels both sleazier and more complicated.